The female subject represents for me the essence of the mystery, although I have long been surrounded by her assiduous presence.
This profound elective affinity continually pushes me to try to imagine the infinite interior atmospheres, the same ones that have always silently accompanied my steps and that still cross my everyday life in a different way.
Immersed in the bucolic life in the heart of the Piedmontese Langhe, I cultivate a visionary “otium” every day that gives concrete form to my imagination "in pink".
In 2018 born the project "Female Art Design": a series of figures of women that escapes the monotony of the repetition of the subject, scanning multiple ordinary situations with a point of view that is never unique and based only on the suggestion of the moment, returned in the evocative details that they project the scene in a limbo suspended in space and time.
Every body that is revealed in its nakedness or that manifests its physicality in an intimate, glamorous or fitness outfit, brings with it the possibility of imagining the mood of the soul to which it belongs, of glimpsing the truth of its imperfections, of approaching it to the mystery that lies at the origin of life, the same that I find every day even in the rural dimension.
In addressing the essential traits of my characters, I cancel the distances between me and them until I identify myself in those bodies, isolating a fragment of history in common that makes them publicly credible and usable in a collective diary of human awareness, rendered through grace and the unsaid of the feminine universe, from which everyone can thus draw to build a new narrative of their own.
In the moment of final confrontation with the spectator, the title of the story becomes a decisive element of contact, with a cinematographic and Hollywood flavor.
Every work of mine is like a cloud in the sky seen through the eyes of a child: it is not only the beauty of a figure, the harmony of a form, the humanity of a subject, but above all a universal dimension bypassed by individual introspection and from the daily experience of each observer.
Everything originates from the sketch of a vision. The drawing is the structural part of all my figurations, while the nuance is the background that hides the details of the narrative context to the observer's gaze, forcing him to resort to his own invention.
I draw with pencil and charcoal, I paint with watercolors, oil and acrylic, always with little color to suggest an atmosphere and a lot of sign to define the subject's gesture.
I look for a soft, almost fluid visual matter, underlined by the traces of the process of contamination between the different techniques: the water soiled by the brushes, with drops of a color now undefined, spots and fingerprints remained visible, trails and smears of the graphic sign dragged on surface, without a targeted outcome. Just like my stories of imperfect bodies, which preserve the error as a constitutive value of the person.